A huge part of Nation relies on a confident, bold ensemble of actors. Actors will create a diverse range of characters ranging from statues to dead bodies and servants to dream fish. Nation has a widely imaginative storyline including the wackiest of objects and characters within it, to make this performance reach its full potential it is in need of an imaginative, physical and enduring group of actors who are able to switch between roles and be alert at all times knowing their ques.
Specifically to the play Nation it is vital that roles are remained and have a sustained focus throughout. The mantra of an ensemble actor is that 'The audience can always see you'. Facial expressions, bold and expressive gestures and physicality's enhance these moments allowing the audience to truly believe our motives.
Relevant to our ensemble work on nation I researched more ensemble acting groups. I came across "The actors' ensemble" who were founding in 1985 in New York city by a group of professional actors. Inspired by the acting techniques taught by the late actor Michael Chekhov, the Ensemble began working together with the mission of developing the art of the actor and creating theatre ensemble. Since its founding, the Ensemble has created and performed theatre productions across the US, in Europe and in Russia, and developed a two-year college level acting program through Sunbridge College.
Following from this research I saw techniques they used in order to maintain a strong performance. This included a strong physicality and facial expressions. Not only does ensemble include physicality but it also includes vocal work too. Building on our vocal sessions I learned that although a large group makes a loud noise the tone of the voice still matters. For example in the 'Bound for South Australia' ensemble song, tone and infliction contributes to the projection we bring to the piece.
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